The main actor Creon in Antigone by Sophocles

The main actor Creon in Antigone by Sophocles Antigone by Sophocles dramatizes the conflict between a sense of duty towards the family and the claims of state. The two main actors in the masterwork namely Antigone and Creon represent the two sides of this conflict respectively.Advertising We will write a custom essay sample on The main actor Creon in Antigone by Sophocles specifically for you for only $16.05 $11/page Learn More Throughout the play, there are hints that Creon who defends his actions as doing them in line with the interests of the people and the gods that he is doing the exact opposed and in the processes hurting both the gods and the citizens through his actions and decisions that lead to a series of tragedies. After the two sons of Oedipus, Polynices and Eteocles, die in a power tussle, Creon ascends to power once again in Thebes. Creon’s decision to have to have Eteocles given a decent burial and Polynices’ body left in the open battleground to rot and the death sentence that he issues against anyone who tries to bury Polynices is the central conflict in the play. The two brothers had made a pact to alternate leadership over Thebes, but when Eteocles term was over, he refused to honor the pact and instead clang to the throne. Polynices gathered an army, which was and attacked Thebes in what was regarded as the ‘Seven against Thebes’. Thebes won the war. However, it is due to this war that the two sons of Oedipus died. Creon was wrong in his decision, which he regarded to be in favor of the gods and the citizens of Thebes considering that he acted in favor of a man without honor who could not keep his word and declared the acts of Polynices as treason. When Antigone defies the order of Creon and buries her brother’s body, Creon becomes exceedingly upset, and a bitter argument ensues between him and Antigone. By that fact that Antigone is the sister of both Polynices and Eteocles, she believes that it is her obligation to bury her brother as it was not in any way pleasant to the gods to see the body of a bury rot in the open. Creon yet commits another atrocity that lacks the favor of both the gods and the citizens of Thebes. He condemns Antigone and her sister Ismene to be entombed alive which leads Antigone to take her own life before the order is carried out.Advertising Looking for essay on literature languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More By dragging Ismene in the problems of her sister, it is clear that Creon takes Antigone’s act of defiance from a point of selfish advantage and wants to finish Oedipus’ bloodline and secure the throne for himself. By deciding to punish both Ismene and Antigone, Creon exhibits a disconnection with kin, and through this, it is remarkably clear that he has lost the fundamentals of humanity and community. It is through Creon’s actions that people close to him lose their lives. On real izing that Antigone was dead, Creon’s son Haemon takes his own life after threatening to kill him. Creon’s own wife also takes her own life after she learns of her son’s death. This is another significant hint in the play that Creon’s deeds and rulings were not in favor of the gods and men but were founded on absolute pride and chauvinism. Creon comes to a change of heart when Tiresias the leader of the chorus tells him that the body must be buried based on the will of the gods. Only then does Creon know that he has been wrong. His efforts to release Antigone, however, come late as his deeds lead to the tragedies that follow. In the end of the play, Creon also ends tragically after a descendant of a former king invades Thebes. He is put to death.

Definition and Examples of Tricolons in Rhetoric

Definition and Examples of Tricolons in Rhetoric Tricolon is a  rhetorical term for a series of three parallel words, phrases, or clauses. Plural: tricolons or tricola. Adjective: tricolonic. Also known as a  triadic sentence. For example, this tricolonic advice for  speakers  is generally credited to  President Franklin D. Roosevelt: Be sincere, be brief, be seated.Its the sense of completeness, says  Mark Forsyth, that makes the tricolon perfectly suited to grand rhetoric (The Elements of Eloquence, 2013). Tricolon comes from the Greek, three unit. Examples and Observations Dorothy ParkerI require three things in a man. He must be handsome, ruthless, and stupid.Robert Maynard HutchinsThe whole apparatus of football, fraternities, and fun is a means by which education is made palatable to those who have no business in it.The Wizard From The Wizard of OzYou are talking to a man who has laughed in the face of death, sneered at doom, and chuckled at catastrophe.President Dwight EisenhowerEvery gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone.It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children.President Barack ObamaLet us search for his largeness of spirit somewhere inside of ourselves. And when the night grows dark, when injustice weighs heavy on our hearts, when our best-laid plans seem beyond our reach, let us think of Madiba and the wo rds that brought him comfort within the four walls of his cell: It matters not how strait the gate, / How charged with punishments the scroll. / I am the master of my fate: / I am the captain of my soul. Benjamin FranklinTell me and I forget. Teach me and I remember. Involve me and I learn.Edna St. Vincent MillayDown, down, down into the darkness of the graveGently they go, the beautiful, the tender, the kind;Quietly they go, the intelligent, the witty, the brave.I know. But I do not approve. And I am not resigned.Eric BentleyOurs is the age of substitutes: instead of language, we have jargon; instead of principles, slogans; instead of genuine ideas, bright ideas.E.B. WhiteIn the still air, under the hard sun, gleamed the flags and the banners and the drum majorettes knees.Annie DillardShe loved Maytree, his restlessness, his asceticism, his, especially, abdomen.Holling VincoeurWhat a time we had: splashed through bogs, ate like hogs, slept like logs.Herman From The SimpsonsThe key to Springfield has always been Elm Street. The Greeks knew it. The Carthaginians knew it. Now you know it.Quentin CrispIf you describe things as better than they are, you are considered to be a romantic; i f you describe things as worse than they are, you will be called a realist; and if you describe things exactly as they are, you will be thought of as a satirist. John le CarreThey liked his diffidence when he apologized for the company he kept, his insincerity when he defended the vagaries of his subordinates, his flexibilities when formulating new commitments.Jack Sparrow From The Pirates of the CaribbeanI think weve all arrived at a very special place. Spiritually, ecumenically, grammatically.Edmund CrispinThey chattered with stoic resignation about the state of the war, the quality of the beer, and the minor inconveniences of being alive.Carol Smith[I]n some unknown sequence, she put out the Do Not Disturb sign, applied pink Està ©e Lauder lipstick and combed her short auburn hair. She wrote a note on hotel stationery, opened her Bible to the 23rd Psalm and mixed some cyanide into a glass of Metamucil.Then she drank it. Tricolons in the Gettysburg Address Gilbert HighetTricolon means a unit made up of three parts. The third part in a tricolon used in oratory is usually more emphatic and conclusive than the others. This is the chief device used in Lincolns Gettysburg Address, and is doubled at its conclusion:But, in a larger sense, we cannot dedicate, we cannot consecrate, we cannot hallow, this ground.[W]e here highly resolve that these dead shall not have died in vain, that this nation, under God, shall have a new birth of freedom, and that government of the people, by the people, for the people, shall not perish from the earth.Although Lincoln himself knew no Cicero, he had learnt this and other beauties of Ciceronian style from studying the prose of the baroque age. The Tricolonic Joke Alan Partington[I]n the tricolon joke, the narrative is repeated so that it becomes a script or acquired information, and this repetition sets up expectations about the series, the model being followed. The third part of the tricolon is then employed to upset these expectations in some way. Here is [a] tricolon joke: There are three Irishmen stranded on an island. Suddenly a fairy appears and offers to grant each one of them one wish. The first one asks to be intelligent. Instantly, he is turned into a Scotsman and he swims off the island. The next one asks to be even more intelligent than the previous one. So, instantly, he is turned into a Welshman. He builds a boat and sails off the island. The third Irishman asks to become even more intelligent than the previous two. The fairy turns him into a woman, and she walks across the bridge. The joke begins with a mix of three joke-scripts: the DESERT ISLAND, the GODMOTHER-THREE WISHES and the ENGLISHMAN, IRISHMAN AND SCOTSMAN. A script i s built up within the world of the joke of HOW TO GET OFF THE ISLAND. The script expectations are doubly defeated in the third section of the tricolon. Not only is no intelligence required to leave the island, the intelligent third member of the trio, instead of being the expected Englishman (in the English version of the joke, of course), is a woman, and the joke is partly on the listener, especially if male and English.